“…it was hell. A very painful film to make with hard lessons learned, but a necessary one that has made me a stronger filmmaker. Film can be fun when all the elements are singing in harmony and elevating the material. That’s when its magic. A lot comes down to the choices you make, but ultimately it’s all about learning. You learn from your failures, not your successes.”
That is such a good question and a tough one. I would honestly be happiest in a small tight knit crew, where we each cared equally about achieving something special, but that’s not always possible or practical. All I know is I love telling stories and I’m going to continue doing so in whatever capacity I’m able.
Twelve eager eggs; Seven scintillated stock cubes; four favourable milk drums; other such objects; On a Saturday morning they all waited expectantly in the basket to see the land beyond, the new world.
The plughole was growing tiresome of this menace, this looming eye over it, watching, it’s long neck cocked out, waiting for something to happen. The tap had spent every day since installation spying (maybe that’s too subtle a word) on the plughole.
I speak to young filmmaker Arran Bradstock about how he got into film, where he’s going with it and his latest short ‘The Long Haul‘.
Crackplot 